Study of Advaita, Hindu philosophy: based on the Yogavāsiṣṭharāmāyaṇa and works of Śaṅkarācārya.

"This is an original work by an eminent teacher of Philosophy and Religion who can present the best results of Indian and Western scholarship and evaluate them in the light of unbiased insight. The chapters on comparison of Bengal Vaisnavism with Christianity and Existentialism are highly stimulating. The book is indispensable to those advanced students of oriental philosophy and religions who are devoted to research work, since no knowledge or oriental philosophy and religion will be complete without a clear understanding (...) of Vedanta and the different types of Vaisnavism.". (shrink)

A Companion to Middle Indo-Aryan Literature. Sures Chandra Banerji. Firma KLM Private Ltd., Calcutta. xii + 351pp. Rs. 60.

Folklore in Buddhist and Jaina Literatures. An account of the life of the common people as reflected in Pali, Prakrit and Apabhramsa works. Sures Chandra Banerji. Bibliotheca, Indo-Buddhica 37, Delhi 1987. xv, 120 pp. Rs 130.

Gommatsara Jiva Kanda Is Based On The Discourses Of Shri Vardhaman, The 24Th Jain Tirthankara. The Treatise Is Compilation Of The Answers Given By The Author Shri Nemi Chandra Siddhanta Chakravarti, To The Questions Put To Him By Raja Chamunda Raya, Asking Him To Enumerate The Sub-Classes Of Bodymaking Karma, And To Explain Their Existence, Bondage Non-Bondage And Cessation Of Bondage, With Regard To The Spiritual Stages Of Souls In Various Conditions Of The Life From The Line Completely (...) Undevelopable Vegetable Bodied Soul, To The Fully Deveoped Rational Five Sensed Beings. (shrink)

Gommatsara Jiva Kanda Is Based On The Discourses Of Shri Vardhaman, The 24Th Jain Tirthankara. The Treatise Is Compilation Of The Answers Given By The Author Shri Nemi Chandra Siddhanta Chakravarti, To The Questions Put To Him By Raja Chamunda Raya, Asking Him To Enumerate The Sub-Classes Of Bodymaking Karma, And To Explain Their Existence, Bondage Non-Bondage And Cessation Of Bondage, With Regard To The Spiritual Stages Of Souls In Various Conditions Of The Life From The Line Completely (...) Undevelopable Vegetable Bodied Soul, To The Fully Deveoped Rational Five Sensed Beings. (shrink)

Daya Krishna(Photo courtesy of Jay Garfield)Govind Chandra Pande(Photo courtesy of his daughter amita sharma)Daya Krishna was the public face of Indian philosophy in the first half-century after Indian independence. Nobody on the Indian scene in that period came close to him in influence or in contribution to the profession. Nobody else in the world thought as hard or as fruitfully about the relation of Indian philosophy to that of the rest of the world, and nobody else dared to think (...) as creatively and even as heretically about the history of Indian philosophy itself. To be sure, the Indian philosophical scene during this period was always a vibrant and creative matrix of thought, and many contributed to that .. (shrink)

Drawing upon the insights of Rabindranath Tagore, who coined the term viswasahitya to express his own understanding of comparative literature, this essay resituates translation as the cornerstone for new directions in world literature. While conventional understandings of world literature tend to reconfirm existing power structures and hierarchies, translation opens up the possibility of thinking beyond the national/global binary by interrogating the lines along which such binaries are conceptualized. Translation operates at the borders that are seen to divide cultures, languages, worldviews (...) and geographies. This essay explores the dynamic relationship between translation and world literature within contemporary South Asian writing, through an analysis of heteroglossia, multilingualism and ‘translatedness’ in selected texts by Mahasweta Devi and Amitav Ghosh, opening up larger questions about multilingualism and also about the very discipline of comparative literature. Highlighting the role that translation has historically played in shaping power relations in the world, this paper projects the transformative potential of translation as the key to a radical reconceptualization of a world literature for the future. (shrink)

There is an ongoing debate about loss of control in addiction: Some theorists say at least some addicts’ drug-directed desires are irresistible, while others insist that pursuing drugs is a choice. The debate is long-standing and has essentially reached a stalemate. This essay suggests a way forward. I propose an alternative model of loss of control in addiction, one based not on irresistibility, but rather fallibility. According to the model, on every occasion of use, self-control processes exhibit a low, but (...) non-zero, rate of failure due to error. When these processes confront highly recurrent drug-directed desires, the cumulative probability of a self-control lapse steadily grows. The model shows why the following statement—which has an air of paradox—can in fact be true: Each drug-directed desire the addict faces is fully resistible, but the addict nonetheless has significantly diminished control over eventually giving in. (shrink)

Harry Frankfurt’s Unwilling Addict and Willing Addict cases accomplish something fairly unique: they pull apart the predictions of control-based views of moral responsibility and competing self-expression views. The addicts both lack control over their actions but differ in terms of expression of their respective selves. Frankfurt’s own view is that—in line with the predictions of self-expression views—the unwilling addict is not morally responsible for his drug-directed actions while the willing addict is. But is Frankfurt right? In this essay, I put (...) together a systematic defence of Frankfurt’s position. (shrink)

Philosophers routinely invoke self‐control in their theorizing, but major questions remain about what exactly self‐control is. I propose a componential account in which an exercise of self‐control is built out of something more fundamental: basic intrapsychic actions called cognitive control actions. Cognitive control regulates simple, brief states called response pulses that operate across diverse psychological systems (think of one's attention being grabbed by a salient object or one's mind being pulled to think about a certain topic). Self‐control ostensibly seems quite (...) different because it regulates complex, temporally extended states such as emotions and cravings. But critically, these complex states also exhibit important componential structure: They rely on response pulses as a key means by which they bring about action. The overall picture is that self‐control consists of skilled sequences of cognitive control directed against extended streams of response pulses that arise from states such as emotions and cravings, thus preventing these states from being effective in action. The account clarifies the “atoms” of self‐control—the elemental units that get combined in complex ways to produce different kinds of self‐control actions. Surprisingly, the account, which is derived from research in cognitive science, aligns nicely with the commonsense conception of self‐control. (shrink)

The artefactual theory of fiction holds that fictional characters are abstract and created artefacts like money and nations. One of its main proponents, Amie Thomasson, holds that fictional characters are ontologically dependent on a particular author or authors (rigid historical dependence) for their origin and on literary works for continued existence (generic constant dependence). While there have been objections to Thomasson's position, both the dependencies are dogmas held among artefactualists and the criticisms haven't yet systematically undermined them. In this paper, (...) I argue against these two dependency claims by citing counterexamples, especially from a Twin Homer case, Fission Fiction case, No Man's Sky, a computer game, where an algorithm creates a character and in another instance, by showing how we humans actually create characters. If my arguments are sound, then a realist like Thomasson has no option to make sense of the data they set up for their theory apart from accepting Everett and Schroeder's theory that fictional characters are ideas. In the light of this, I set up a new criterion for the continued existence of fictional characters wherein they're ideas. (shrink)

This article tries to explore the shifts in contemporary urban Bengali cinema and map and historicize the main trends in relation to changes in the political fortunes of the city. In this context, the article tentatively wishes to accomplish two things: one, to show the main trends in urban Bengali film-making, post-1990s; and two, to read closely two recent Bengali films, in a search for ways of mapping this newness. The article first identifies three new possibilities in Bengali cinema: first, (...) the inward-looking, often apolitical sketches that celebrate liberal development and psychosomatic indulgences, second, the sentimental, community-based films that sometimes take political changes on board as well, and attempt to bridge the rural-urban divide; third, cult-ish films of a newer pedigree that show impatience with old Left and progressive values, and are also technically experimental and avant-garde. The second objective of the article is to discuss specifically two contemporary filmmakers – Moinak Biswas and Suman Mukhopadhay – and place their films within this ferment. (shrink)

In computational cognitive science, a valuationist picture of human agent architecture has become widespread. At the heart of valuationism is a simple and sweeping claim: Every time an agent acts, they do so on the basis of value representations, which are, roughly, representations of the expected value of one’s response options. In this essay, I do three things. First, I give a systematic, philosophically rich account of the valuationist picture of agency. I also highlight the generality of the model in (...) explaining diverse forms of person-level agency. Second, I discuss connections between the valuationist model and two traditional models in philosophy, the belief/desire model and the decision-theoretic model. Third, I canvas the wide-ranging implications of valuationism for philosophical inquiry. Among other things, valuationism illuminates the elusive boundary between activity and passivity; it flips the standard philosophical view of decision around, with decision being a source of, rather than a product of, one’s agency; it understands motivation as, in part, a representational phenomenon; it challenges a philosophical dogma that control over action is more extensive than control over belief; and it highlights an underappreciated connection between deviations from rational agency and inaccurate value representations. (shrink)

In recent metaphysics, the questions of whether fictional entities exist, what their nature is, and how to explain truths of statements such as “Sherlock Holmes lives at 221B Baker Street” and “Holmes was created by Arthur Conan Doyle” have been subject to much debate. The main aim of my thesis is to wrestle with key proponents of the abstractionist view that fictional entities are abstract objects that exist (van Inwagen 1977, 2018, Thomasson 1999 and Salmon 1998) as well as Walton’s (...) (1990) pretense view, which denies the existence of such entities. In the process, I propose modifications to these views to deal with problems they face and show how the modifications better account for the philosophical data. -/- Key abstractionists (van Inwagen 1977, Thomasson 1999) make a strict distinction between discourse within fiction, in which statements about literary characters cannot be literally true, and discourse about fiction, as it occurs in literary criticism, where statements about fictional characters can be literally true. Fictional objects are postulated to account for the truth of the latter. This runs into trouble because statements thought to be literally true are not literal. (Yagisawa 2001, Friend 2002) I provide a uniform analysis to account for the truth of statements involving fictional characters by appealing to a presupposition involving a metaphor in both contexts. The presupposition is that there is an x such that x is fictional; x is likened to a real person; and x is and ought to be treated/counted as a real person for all relevant intents and purposes. -/- More generally, I adopt Everett and Schroeder’s (2015) realist view that fictional characters are ideas constituted by mental representations. This, to me, better accounts for how fictional characters are created within the world’s causal nexus (unlike non-spatiotemporal entities in abstractionism), among other things. One key challenge they face is to explain how ideas can possess properties such as being a detective. I present a fine-grained version of their view, according to which the mental representations constituting fictional entities encode mind-dependent properties. Moreover, I explain how reference to such representations is possible, using Bencivenga’s (1983) Neo-Kantian view of reference and Karttunen’s (1976) view on discourse referents. Finally, I suggest that the identity of fictional characters is interest-relative. The constant, and sometimes radical, change of properties that, fictional characters can undergo is taken to be a consequence of the fact that unified mental representations are bundles of simpler mental representations. As change occurs, simpler representations are replaced by others. -/- A key theme that runs through the thesis is that neither fictionality nor pretense is relevant to the semantics of fictional sentences—a claim bolstered by Matravers’ (2014) arguments. Whether or not my account works, this claim, as well as the new philosophical data I bring up, are some of the challenges I pose to the heart of established views. (shrink)